Martina Cavallarin, Venice, 1966. She lives and works in Milan and Venice
Critic and independent curator, deals with contemporary visual arts with a look that ranges between different languages and necessary contaminations. The interest is focused on the investigation of relational systems, social and environmentally friendly through art projects and training involving the urban and the human sphere. Investigation intercepts the contemporary artist, androgynous for condition and location.
Studies and investigates the root rhizome, processes in progress, expansion of the error, analysis of imperfections, memory, temporality, actions and mutations of the research expressed in the artistic circuit, mostly Italian.
Since 2009 she is the founder and director of scatolabianca.
Stefano Franchini (Borgo Valsugana TN, 1975) is research fellow in the Department of Human and Social Sciences at Bergamo University.
He currently lives in Düsseldorf, Germany. After a BA in Political Sciences (1999) and a PhD in History of Religions (2004), both obtained at the Universities of Bologna (Italy) and Heidelberg (Germany), he works as editor and translator and writes essays and books about political theology, religion science, psychoanalysis and recently also education theory.
Among the translated authors we remind: Nietzsche, Freud, Rosenzweig, Buber, Benjamin, Ulrich Beck, Boris Groys and Peter Sloterdijk.
For a full list of his publications and competences see: https://de.linkedin.com/in/stefanofranchini/en
Alice Ginaldi 1983. Curator and art critic. In 2007, she obtained her MA in History of Contemporary Art at Bologna’s DAMS. After working for a few years as scientific director of Pixxelmusic, a digital art and music festival, she is now in charge of the Metropolitan Youth section of Gorizia’s Galleria Metropolitana. She contributes to the magazine www.genius-online.it. For several years, she has managed an educational project in schools for the Monfalcone-based Municipal Gallery of Contemporary Art. Since 2001, she has conducted a number of artistic workshops for children on behalf of the Ca.Ri.Go Foundation, as well as seminars about ongoing exhibitions for the “Spazzapan” Gallery. She organized and curated exhibitions and publications for several galleries and has worked with a number of museums, associations and nationally-established groups, including Milan’s MARS space, Omegna’s CARS artist residency and Belluno’s Dolomiti Contemporanee visual arts lab, Premio Terna 05 and the Art fair Art Verona. She was head of the Visual Arts at the Festival Homepage of Udine and the regional project Youth Talent FVG, continuing to work especially with young artists. From 2014 she is professor at secondary schools second degree enabled in art history graduate and for support activities. - Photo by Matteo Attruia
Veronica Liotti (Novara, 1976) is an Italian art critic and curator based in Düsseldorf, Germany.
After the BA in Architecture at Milan Polytechnic (2002) and the MA in Curating Contemporary Art at the
Brera Academy (2005) she works with Carolyn Christov-Bakargiev at Castello di Rivoli, Museum of Contemporary Art (Turin),
as curatorial assistant (2005). Then she starts collaborating with various national and international private galleries and with
different italian art magazines such as: FlashArt, Segno, ArteSera and Artribune.
Since 2007 she writes the art column, with a focus on Italian contemporary painting, in the medical
journal GIDM published by Roche Diagnostic. Read her blog for further info: www.veronicaliotti.blogspot.it
After the BA in Architecture at Milan Polytechnic (2002) and the MA in Curating Contemporary Art at the
Brera Academy (2005) she works with Carolyn Christov-Bakargiev at Castello di Rivoli, Museum of Contemporary Art (Turin),
as curatorial assistant (2005). Then she starts collaborating with various national and international private galleries and with
different italian art magazines such as: FlashArt, Segno, ArteSera and Artribune.
Since 2007 she writes the art column, with a focus on Italian contemporary painting, in the medical
journal GIDM published by Roche Diagnostic. Read her blog for further info: www.veronicaliotti.blogspot.it
Alberto Zanchetta was born in Trento in1978.
He got the degree at the Academy of Fine Arts in Bologna.
He is an art critic and independent curator.
Since 2012 he is a Director of the Lissone's Museum of Contemporary Art.
He teaches at the LABA School in Brescia and at the Academy of Fine Arts in Urbino.
He published the essay “Frenologia delle vanitas” (Johan & Levi, 2011) and “Humpty Dumpty Encomion” (Vanilla edizioni, 2007).
He curated several exhibitions in public and privates spaces. - Photo by Davide di Tria